inSEEcp on Conference: A Network of Possible Paths

The representatives of inSEEcp - Informal Network of South-East European Cultural Portals - are among the participants in the panel discussion "A Network of Possible Paths", organized on September 19 in Belgrade by Cultural Point Office / CCP Serbia, Ministry of Culture and Information Society, in cooperation with Bitef, and dedicated to the topic of importance of networking in culture and gathering around common goals.

Dušan Dovč will present - inSEEcp, and Vesna Milosavljević will talk about SEEcult.org, networking and cultural portals in the region. Dušan Dovč is a member of editorial of cultural portal Artservis.org (SCCA-Ljubljana), and Vesna Milosavljević is editor of Portal for South-East European Culture SEEcult.org. Both portals are founding members of inSEEcp.

Participants in the panel–discussion are also the representatives of regional CCP offices well as representatives of European formal and informal networks such are: NEMO, Clubture, IETM, TEH , Culture Action Europe, Europa Nostra, Lab for culture, Independent cultural association, Executive agency EACEA, DGEAC/European commision.

The chosen topics for the panel discussion should help explain that the strategy of networking and cooperation between public and private sector represents a very efficient way not only of bridging the gap between the two, which still exists in most countries in Southeastern Europe, but also of overcoming the numerous problems and shortcomings regarding infrastructure (lack of space, equipment, technical tools…), human resources (lack of trained staff for new professions, lack of certain skills, use of common resources…), lack of partners and contacts, lack of communication with the government, lack of contacts with international financiers, the problem of not meeting contests’ criteria, etc. Although the presentations are aimed at general networking issues, they also analyze current trends and praxes through several case studies from Europe; they pose the question of the necessity for initiating an independent cultural network, the current state of networks, key agents, and prevailing approaches and challenges, through some of the topics: Presenting European Cultural Networks and Informal Initiatives to Professionals and to General Public; Why Do We Need Networks; Managing Networks and Participating In Them; Accessibility, Transparency and Sustainability of Networks; Gaining Acceptance and Status; Evaluation and Efficiency of Networks; Importance and Advantages of International Networks in the Field of Art; The Role of Networks in Development and Culture / Partnership and Networking as A Strategy; Networking as A Strategy For Overcoming Problems and Deficiencies in Infrastructure and Human Resources, As A Means for Creating Partnerships and Establishing Contacts, for Communicating with the Government, with International Financiers… Therefore, the discussion aims not only at exploring the issue of networking in culture but at emphasizing some concrete examples of cooperation, that give practical results valuable to culture workers and beneficial to the cultural and social community as a whole.

Find out detailed program HERE

inSEEcp - PRIMER NEFORMALNEGA POVEZOVANJA (Slovenian)

Mreža kulturnih portalov inSEEcp povezuje uredništva kulturnih portalov in vzpodbuja mednarodno kulturno sodelovanje. Mreža je rezultat delavnic in on-line aktivnosti, ki so se začele odvijati leta 2006 v Beogradu v organizaciji portala SEEcult.org in Goethe-instituta Beograd ter s podoro Pakta za stabilnost. Prva delavnica je izpostavila temo Kultura na internetu, druga leta 2007 pa temo Mreženje in sodelovanje kulturnih portalov v regiji SEE. Prva javna predstavitev mreže je bila leta 2008 v Ljubljani na mednarodni konferenci Re-Network!, ki je potekala v okviru srečanja evropskih Kulturnih stičnih točk in v organizaciji Kulturne stične točke Slovenija.

Mreža inSEEcp je danes neformalno združenje, ki povezuje portale: Zagreb: www.culturenet.hr, www.kulturpunkt.hr, www.culturelink.hr, www.knjiga.hr, www.teatar.hr; Banja Luka: www.kulporter.com; Beograd: www.seecult.org; Skopje: www.culture.in.mk, www.plagij.at; Podgorica: pro-story.org; www.startmontenegro.com; Priština: www.stacion.org; Ljubljana: www.artservis.org, www.evrokultura.org, www.radiostudent.si.

Danes se med portali vzpostavljajo sinergični učinki izmenjave informacij in skupnih projektov. Štirje člani so samostojno že izvedli projekt, podprt s strani Evropske kulturne fundacije: Let's Talk Critic Art (2009-2010). O kritičnih aspektih sodobne umetnosti (okrogle mize, intervjuji, teksti). Partnerstvo so oblikovali: SEEcult.org (Srbija), SCCA, Zavod za sodobno umetnost - Ljubljana/Artservis (Slovenija), Kulturpunkt (Hrvaška) in Forum Skopje (Makedonija). Pravkar pa poteka projekt dveh portalov in partnerskih organizacij, podprt s strani programa Kultura EU: Criticize this! Kritična diskuija o sodobni umetnosti. Partnerstvo sestavljajo: Kulturtreger in Kurziv iz Zagreba, KPZ Beton in SEEcult.org iz Beograda in Plima iz Ulcinja.

Mreža kulturnih portalov je tako tudi mreža kulturne produkcije, organizacij in umetnikov v vseh glavnih mestih, od Podgorice do Ljubljane.

LTCA Publication on Critical Art Presented in Belgrade

The publication 'From Consideration to Commitment: Art in Critical Confrontation to Society (Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010)', created as part of the regional project Let’s Talk Critic Arts, was presented on April 11 at 7 pm at the Art Center of the University Library “Svetozar Marković” in Belgrade.


Among the participants were Dea Vidovic (Kulturpunkt – Zagreb), Miha Colner (SCCA-Ljubljana – Ljubljana), Ivan Mirkovski (Forum Skopje – Skopje), and Vesna Tasic and Vesna Milosavljevic (SEEcult.org – Belgrade).

Promotion of this multilingual publication was followed by presentation of Belgrade based artists Saša Stojanović/Ana Vilenica and Nikola Pilipović (Manik with Marija Vauda).

The publication explores practices of critical contemporary fine arts – practices of research, progressive and experimental actions by contemporary fine artists from the 1990s to the present, in four countries in the region – Croatia, Macedonia, Serbia and Slovenia. These are practices which focus on issues such as identity aspects (national, cultural, religious, ethnic), workers’ rights, social integration of minorities, global market fluctuation trends and its impact in the local context, unscrupulousness of capital, the position of women, spatial devastation, art institution system issues, and many others.

The publication maps out and theoretically reviews critical and research practices, and contemporary fine arts practices oriented towards the contemporary civilization moment, which have been active in the context of the independent cultural scene since the 1990s, but which have also been present in the institutional frame. The authors provide only drafts of the political, social, economic and cultural changes of the local contexts, through four segments, due to a lack of space. Each segment focuses on the practices and context of a given country, i.e. the capital as the primary focus, and in addition to the introductory word by the authors, it includes interviews (with authors, theorists, curators, organizers…) who contribute to the recording of these artistic practices based on their experience, work and knowledge.

The segments deal with the Belgrade, Ljubljana, Skopje, and Zagreb scenes. All the authors devised their approaches in an effort to present the fruitful and creative production of these cities, to the greatest extent possible. The authors involved in the creation of this publication are Jasna Jakšić (in collaboration with Tihana Bertek, Maja Gujinović, Ana Kovačić, Srđan Latrezom, Petar Novak, Tino Novak, Tamara Sertić and Leda Sutlović) from Croatia, Nebojša Vilić from Macedonia, Vesna Tašić (in collaboration with Vesna Milosavljević and Miroljub Marjanović) from Serbia, and Miha Colner and Nika Grabar (Slovenia).

Contemporary visual art is discussed through the works and experiences of Igor Grubić, Sanja Iveković, Andreja Kulunčić and Darko Šimičić (Croatia), Stevan Vuković, Milica Tomić, Danilo Prnjat and Živko Grozdanić Gera (Serbia), Neven Korda, Marko Peljhan, Marija Mojca Pungerčar and Maja Smrekar (Slovenia), and Bojan Ivanov, Zoran Poposki, Mira Gakina and Žaneta Vangeli (Macedonia).

Editorial Board (Dušan Dovč, Vesna Milosavljević, Jasna Soptrajanova i Dea Vidović) believes that selection of 16 voices provides a possible cross-section of the events in the contemporary fine arts scenes of Belgrade, Ljubljana, Skopje, and Zagreb from the 1990s to the present, but it is certainly not the final or only one.

The publication is a type of platform that is available to the public, with the wish to encourage further collecting and evaluation of art and cultural endeavours in the past 20 year in these four cities, as well as in those that could not be included in this project (for financial reasons).

The book was conceived as a multilingual publication in English, in addition to the local languages (Croatia, Macedonian, Serbian and Slovenian), in order to enable better insight into contemporary artistic practices in post-Yugoslav cities both for the local and international public.

The publication is made available by the Creative Commons Licence Attribution-NonCommercial-ShareAlike 3.0 Unported unless it is not differently stated.

The LTCA project is concluded by promotion of the publication From Consideration to Commitment: Art in Critical Confrontation to Society (Belgrade, Ljubljana, Skopje, Zagreb: 1990-2010), but it is open for comment and further research.

The LTCA project was initiated and implemented by the cultural portal SEEcult.org (the SEEcult.org Civic Association) from Belgrade, Serbia, in collaboration with the Artservis.org portal (Center for Contemporary Arts, SCCA-Ljubljana) from Slovenia, Forum Skopje from Skopje, Macedonia, and the Kulturpunkt.hr portal (Alliance of Associations Clubture and Kurziv – Platform for Matters of Cultural, Media and Society) from Zagreb, Croatia, with support from the European Cultural Foundation (ECF), and national/local donors.